The South in Southern Theory: Antipodean Reflections on the Pacific Art, Asia, Issue 44, March 2008, Jolly, Margaret, Post/Colonial Cultures A comparative review of Ford Madox Ford and the Regiment of Women by Joseph Wiesenfarth and ‘Conversation Piece’ in Stravinsky’s Lunch by Drusilla Modjeska Art, Biography & Life Writing, Hewitt, Helen, Issue 42, August 2007, Reviews “A Sign of the Crimes” Art, Grieves, Vicki, Indigenous Issues, Issue 42, August 2007 ‘Disclosing Spaces: On Painting’ by Andrew Benjamin Art, Danta, Chris, Issue 35, June 2005, Reviews Review of Susan Sontag’s ‘Regarding the Pain of Others’ Art, History & Cultural Memory, Issue 33, August 2004, Mules, Warwick, Reviews Complex Entanglements Art, Globalisation and Cultural Difference, edited by Nikos Papastergiadis Art, Issue 31-32, April 2004, Maclean, Ian, National & Global Identities, Race & Ethnicities, Reviews ‘The Devil’s Rope: A Cultural History of Barbed Wire’ by Alan Krell Art, Bullock, Marita, Issue 29, May 2003, Reviews What is Installation? An Anthology of Writings on Australian Installation Art, edited by Adam Geczy and Benjamin Genocchio Art, Issue 26, June 2002, Lusty, Natalya, Reviews
A comparative review of Ford Madox Ford and the Regiment of Women by Joseph Wiesenfarth and ‘Conversation Piece’ in Stravinsky’s Lunch by Drusilla Modjeska Art, Biography & Life Writing, Hewitt, Helen, Issue 42, August 2007, Reviews “A Sign of the Crimes” Art, Grieves, Vicki, Indigenous Issues, Issue 42, August 2007 ‘Disclosing Spaces: On Painting’ by Andrew Benjamin Art, Danta, Chris, Issue 35, June 2005, Reviews Review of Susan Sontag’s ‘Regarding the Pain of Others’ Art, History & Cultural Memory, Issue 33, August 2004, Mules, Warwick, Reviews Complex Entanglements Art, Globalisation and Cultural Difference, edited by Nikos Papastergiadis Art, Issue 31-32, April 2004, Maclean, Ian, National & Global Identities, Race & Ethnicities, Reviews ‘The Devil’s Rope: A Cultural History of Barbed Wire’ by Alan Krell Art, Bullock, Marita, Issue 29, May 2003, Reviews What is Installation? An Anthology of Writings on Australian Installation Art, edited by Adam Geczy and Benjamin Genocchio Art, Issue 26, June 2002, Lusty, Natalya, Reviews
“A Sign of the Crimes” Art, Grieves, Vicki, Indigenous Issues, Issue 42, August 2007 ‘Disclosing Spaces: On Painting’ by Andrew Benjamin Art, Danta, Chris, Issue 35, June 2005, Reviews Review of Susan Sontag’s ‘Regarding the Pain of Others’ Art, History & Cultural Memory, Issue 33, August 2004, Mules, Warwick, Reviews Complex Entanglements Art, Globalisation and Cultural Difference, edited by Nikos Papastergiadis Art, Issue 31-32, April 2004, Maclean, Ian, National & Global Identities, Race & Ethnicities, Reviews ‘The Devil’s Rope: A Cultural History of Barbed Wire’ by Alan Krell Art, Bullock, Marita, Issue 29, May 2003, Reviews What is Installation? An Anthology of Writings on Australian Installation Art, edited by Adam Geczy and Benjamin Genocchio Art, Issue 26, June 2002, Lusty, Natalya, Reviews
‘Disclosing Spaces: On Painting’ by Andrew Benjamin Art, Danta, Chris, Issue 35, June 2005, Reviews Review of Susan Sontag’s ‘Regarding the Pain of Others’ Art, History & Cultural Memory, Issue 33, August 2004, Mules, Warwick, Reviews Complex Entanglements Art, Globalisation and Cultural Difference, edited by Nikos Papastergiadis Art, Issue 31-32, April 2004, Maclean, Ian, National & Global Identities, Race & Ethnicities, Reviews ‘The Devil’s Rope: A Cultural History of Barbed Wire’ by Alan Krell Art, Bullock, Marita, Issue 29, May 2003, Reviews What is Installation? An Anthology of Writings on Australian Installation Art, edited by Adam Geczy and Benjamin Genocchio Art, Issue 26, June 2002, Lusty, Natalya, Reviews
Review of Susan Sontag’s ‘Regarding the Pain of Others’ Art, History & Cultural Memory, Issue 33, August 2004, Mules, Warwick, Reviews Complex Entanglements Art, Globalisation and Cultural Difference, edited by Nikos Papastergiadis Art, Issue 31-32, April 2004, Maclean, Ian, National & Global Identities, Race & Ethnicities, Reviews ‘The Devil’s Rope: A Cultural History of Barbed Wire’ by Alan Krell Art, Bullock, Marita, Issue 29, May 2003, Reviews What is Installation? An Anthology of Writings on Australian Installation Art, edited by Adam Geczy and Benjamin Genocchio Art, Issue 26, June 2002, Lusty, Natalya, Reviews
Complex Entanglements Art, Globalisation and Cultural Difference, edited by Nikos Papastergiadis Art, Issue 31-32, April 2004, Maclean, Ian, National & Global Identities, Race & Ethnicities, Reviews ‘The Devil’s Rope: A Cultural History of Barbed Wire’ by Alan Krell Art, Bullock, Marita, Issue 29, May 2003, Reviews What is Installation? An Anthology of Writings on Australian Installation Art, edited by Adam Geczy and Benjamin Genocchio Art, Issue 26, June 2002, Lusty, Natalya, Reviews
‘The Devil’s Rope: A Cultural History of Barbed Wire’ by Alan Krell Art, Bullock, Marita, Issue 29, May 2003, Reviews What is Installation? An Anthology of Writings on Australian Installation Art, edited by Adam Geczy and Benjamin Genocchio Art, Issue 26, June 2002, Lusty, Natalya, Reviews
What is Installation? An Anthology of Writings on Australian Installation Art, edited by Adam Geczy and Benjamin Genocchio Art, Issue 26, June 2002, Lusty, Natalya, Reviews
