Issue 70, November 2022

Prelims and Table of Contents: PDF

 

Essay

Alison Walker
From Content to Context: Considering Embodied Implications for Film Sound Practitioners

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Special Section: Seventy Years of Four Minutes, Thirty-three Seconds (4’33”)

 

Monique Rooney
Introduction

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Shayne Bowden
The Odd Silent Shot

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Rachel Campbell and James Hazel Maher
The Vitality and Counter-Pedagogy of Cage in the Conservatoire

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Kim Cunio
4’33”

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Dieter Daniels
Silence Expanded (No.2): The Legacy of 4’33” and of 0’00”

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Richard Elliott
‘The Most Annoying Noise of All Time’

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Daniel Fishkin
Tinnitus Journal, or The Problem with Listening to Yourself

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Mack Hagood
Cage’s Echoes of the Anechoic

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Peter Jaeger
The Secret and Unknown Histories of John and His Friends

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Douglas Kahn
Don’t Think About It

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Caleb Kelly
Not Quite Sound: Silence in the Gallery

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Sally Macarthur
The Violence of Silence and 4’33”

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Julian Murphet
John Cage and 4’33”

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David Toop
4’33”, Ancient Chinese Philosophy and Aesthetics

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Shelley Trower
Barking, Clocks, and the Printer: Accidental Sounds in Oral History

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Stephen Whittington
The Seriocomedy of Silence

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Book Reviews

 

Guy Davidson
Review of Flutter Echo, by David Toop

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Gevort Hartoonian
Review of Truth and Lies in Architecture, by Richard Francis-Jones

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